Showing posts with label tradition. Show all posts
Showing posts with label tradition. Show all posts

Friday, February 7, 2014

JAPAN NEWS TRENDING: Women give men Valentine's Day chocolates made with their own menstrual blood

Here's a Valentine's Day surprise that nobody would like, and we should also warn you that if you are currently eating something you might want to stop before you keep reading. A disturbing new trend has recently surfaced in Japan where women mix spit, hair and menstrual blood in the chocolates they make for men on Valentine's Day.
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In Japan, when girls give chocolates to the boys they like on Valentine's Day, it's known as "honmei choco," which translates to "true feelings chocolate," but this chocolate contains way more than feelings.
One such woman posted, "This year too, I’m praying that I can succeed in love, and the time has drawn near when there will be lots of boys around who will eat my scary hand-made chocolates — that I’ve made by mixing in my own blood and spit — without even knowing it."
Another person said, "It’s Valentine’s in just two weeks’ time. All you virgins who’ve never received chocolates probably don’t know about this, but in hand-made chocolates from girls, at the very least, there’ll be blood and spit, and hair that has been ground finely in a mixer. Since these are hand-made from the heart, please be sure to eat them alone in secret ♥︎" YIKES!!!!
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Although we're hoping it is, no one knows for certain if the whole thing is a hoax. Either way, the trend is drawing a lot of attention as the thread of posts talking about these scary chocolates has already been re-tweeted over 15,000 times.JAPAN NEWS TRENDING: Women give men Valentine's Day chocolates made with their own menstrual blood

Saturday, February 1, 2014

Kampo: A Japanese Traditional Medicine

What are Kampo medicines?

Kampo medicines are herbal drugs made from natural ingredients of plant, animal, and mineral origin that are prepared according to classical Kampo theories. Kampo uses many familiar materials as medicinal ingredients; for example, "Keihi", commonly known as cinnamon, and "Borei", which is oyster shell. Several natural ingredients are mixed according to traditional formulae to draw out a synergistic effect from each other. In Japan today, Kampo drugs for medical use are prescribed by licensed medical doctors while some are available at pharmacies and drug stores without prescriptions.

History of Kampo in Japan

Kampo originally came to Japan from China in the fifth to sixth century. Based upon this traditional Chinese medicine, Japan has developed and systematized its own unique medicine through a long empirical tradition of study.

The name "Kampo" first came into use in the latter half of the sixteenth century to distinguish traditional medicine from newly acquired western medicine. Kampo means the medicine transmitted from Kan (the Chinese Han dynasty), while western medicine was called Rampo (medicine from Holland). Kampo was the mainstream of Japanese medicine at that time.

In the latter half of the nineteenth Century, Japan's government developed a new medical system centering on western medicine. As a result, Kampo fell into decline and it disappeared from center stage and was all but forgotten for a period of time. Nevertheless, its tradition survived and eventually interest in Kampo was renewed. Though there had been great advances in western medicine it was not a panacea for all illness and accordingly Kampo gained popularity as an effective complementary and alternative medicine. In 1967 Kampo extract medicines were included under public insurance coverage for the first time in Japan, triggering new progress in Kampo and its application in the framework of modern medicine. Since then Kampo medicines have become widely used for clinical therapies. Today they are not only used in primary care for common colds and other minor ailments but also as cutting-edge medicines for cancers, etc.

Production of Kampo

Traditionally, Kampo medicines are prepared by blending cut natural herbs and boiling them in water to infuse them. The resulting decoctions have distinct tastes and flavors. Today in Japan the traditional method of preparation is still practiced, but more widely used are ready-to-take Kampo extract granules or tablets produced from herbal extracts in pharmaceutical factories.
The production system for these Kampo medicines is supported by techniques of the highest level in the world, enabling stable supply of quality Kampo medicines with high concentrations of herbal extracts, while precisely following the authentic recipes in classical prescriptions.

Today Kampo medicines are available in a wide range of formulations such as fine granules, powders, tablets, capsules, and solutions, just like modern western medicines. These extract medicines, unlike old-style Kampo crude herb mixtures, are easy to carry around, can be taken anytime anywhere, and have a good shelf life.


Kampo now used together with western medicine

Western medicine focuses on individual organs or parts of the body. It seeks to target the sick parts of the body to identify and remove the cause of a sickness. The effect is direct and sharp. Today many diseases have become curable with this style of medicine and new discoveries continue to be made. Yet as powerful as western medicine is, it is not versatile enough to cure all types of sickness and there are limits to what it alone can do. Additionally, western medicine is known to produce many adverse side effects and sometimes cannot give patients relief when the exact source of a symptom cannot be identified.

In contrast, Kampo employs a symptom-oriented, holistic approach. It does not just focus on the condition of diseased parts but checks the condition of the entire body and mind. Then it seeks to produce a proper balance of all organ systems to recover health in patients. The effect is weaker and slower compared to western medicine, but Kampo is better in alleviating the symptoms suffered by patients. Accordingly, Kampo has attained a high level of patient satisfaction.

In Japan today, based on a deepened understanding of their respective strengths, western medicine and Kampo are being used together in clinical treatment, where the most effective ways to combine their advantages are being explored. This "combination" therapy has contributed to enhanced patient quality of life.

Kampo medicines have taken firm root in Japan and currently more than eighty percent of doctors prescribe Kampo medicines, which are also widely available at pharmacies and drugstores.


Kampo for further development of medicine

In Japan, Kampo medicines both for clinical use and over-the-counter sales are contributing to public health and are expected to evolve even further. Currently, Japan is the only country where clinical doctors are permitted to prescribe both western types of medicines and Kampo medicines at the same time and where both are covered by the same public insurance system. Therefore the application of Kampo medicines and their contribution to clinical treatments in Japan are very worthy of attention, to fully appreciate the great future potential of Kampo for opening a new path for modern medicine.

Saturday, January 18, 2014

Tea Ceremony- A Way of Life

A Japanese cup of tea is more than is implied by the name for the ceremony - cha no yu (hot water for tea). It is, in fact, a quiet interlude during which host and guests strive for spiritual refreshment and harmony with the universe. The Japanese Tea Ceremony captures all the elements of Japanese philosophy and artistic beauty, and interweaves four principles - harmony (with people and nature), respect (for others), purity (of heart and mind), and tranquility. It grew from the custom of Zen Buddhist monks drinking tea from a single bronze bowl in front of a statue of their founder, Budhidharma, during their act of worship. Over the centuries, rituals gradually developed around the religious significance and the use and appreciation of the utensils needed for preparing and serving tea.



Today, the ceremony may be performed in a specially designed room in a private house, in a tea house within a private garden, in a designated complex of rooms in the workplace, or in a public tea house.
A full tea, or Chaji, involves a meal and the serving of two different types of tea and can last for four hours, but shorter, simpler teas can be served to suit individual occasions. Some alternative teas to use in these ceremonies include Genmaicha, Kukicha and Hojicha (all very popular Japanese teas). Ceremonies are held to honour special guests, to celebrate particular occasions such as the blossoming of the cherry trees in Spring, to admire the full moon, or simply to gather together a few friends.

For each occasion, the flowers, vase, wall hangings, and tea wares are chosen carefully to suit the event, the time of year, and the desired atmosphere...




When the guests arrive, they are not greeted at the door by their host or hostess, but are guided through a series of open doors to a waiting room. Here they are served a small porcelain cup of hot water taken from a kettle in the tearoom as a foretaste of the water to be used in the tea making. They then make their way quietly and calmly into the garden and are met halfway at a gate by the host or hostess, who opens the gate and silently greets them with a bow. This gentle passage through the garden represents a breaking of ties with the everyday world and allows a clarifying of the senses through the enjoyment of the sweet sound of trickling water and birdsong, and the visual pleasure of trees, plants, and blossoms. Nearby stands a stone lantern to light the path when evening falls. The guests pause to cleanse their hands and mouth with water from a stone basin of running water.

The entrance to the tea room is so low that everyone must stoop to go through - a symbolic gesture of humility - and once inside, guests spend a few minutes admiring the kettle, the scrolls decorating the walls, and the flowers. They then kneel on tatami (rice straw) mats, sit back on their heels, and watch while their host performs the ceremony of the lighting of the charcoal fire. A meal of fine foods and saki is then served but although this can last for more than an hour, it is not the main event but merely a preparation of the body for the tea that is to come. After eating, the guests step back outside into the garden while the tearoom is freshened ready for the tea brewing ceremony. They then return inside and spend the next forty five minutes sharing a bowl of green tea (usually upper-end teas, such as Gyokuro, Sencha, or Matcha). A sweet cake made with bean curd is served and is eaten with little wooden picks that each guest has brought to the ceremony.



By this time, the fire has burnt low and the host or hostess performs a different fire-lighting ceremony and waits, while conversation continues, for the kettle to boil for a second time. Individual bowls of thin watery tea are then prepared and served to each guest in turn, again accompanied by little dainty sweets. Once this is over, final greetings are exchanged and everyone leaves.

Because the Tea Ceremony involves an understanding and appreciation of a complex combination of sensual and spiritual elements, the training to become a Tea Master is long and demands complete commitment. A student can learn enough of the basic movements and rituals to create a tea after three years or so of dedicated study, but becoming a true Tea Master is a lifetime's work and the training process is never really completed.

Because there are so many ways of creating a tea, and because the ceremony involves almost every aspect of Japanese life - architecture, history, food, craft, art - a student must bring to his or her training all the knowledge and skills learned and developed in everyday life as well as human qualities such as sensitivity, awareness, skills of communication.

Although the study is long and demanding, it is also fun and very rewarding... And whatever style of tea a host or hostess creates, each tea occasion links the people taking part to a continuous chain of 885 years of tea history.

Friday, December 6, 2013

Japanese Clothing: YUKATA

The Yukata is a casual light cotton kimono for wearing in summer. Yukatas normally have very brightly coloured designs on them. Today thesekimonos are mainly worn to the traditional Bon-Odori and summer festivals. The relative simply design of Yukata means Japanese women can, with some practice, put thiskimono on unassisted. 




The name yukata comes from the word -yu- (bath) and -katabira- (under clothing). In the Heian era (794-1185), court nobles wore linen "yukata" which were draped loosely after taking a bath. The yukata was later also worn by Japanese warriors and by the Edo era (1600-1868), it was widely worn by the public when public bath became a popular recreation in Japan.

Today, the yukata is widely worn as a casual wear in summer, as well as in festivals. Further, the yukata is also widely worn in "ryokan" (traditional Japanese inn). The yukata is loved for its lightweight cotton material. Fabric designs vary from the traditional plain cross hatch pattern to the more colourful designs. A cotton sash is usually worn with the yukata for casual daily or nightly wear. In attending festivals and public occasions, the yukata is worn with a wider belt, which can be simply wrapped around the waist and tucked in at the end. For a more formal appearance, the yukata is worn with an obi belt, along with a matching geta (wooden sandals) and purse to complete the attire.

Today, the yukata is widely worn as a casual wear in summer, as well as in festivals. Further, the yukata is also widely worn in "ryokan" (traditional Japanese inn). The yukata is loved for its lightweight cotton material. Fabric designs vary from the traditional plain cross hatch pattern to the more colourful designs. A cotton sash is usually worn with the yukata for casual daily or nightly wear. In attending festivals and public occasions, the yukata is worn with a wider belt, which can be simply wrapped around the waist and tucked in at the end. For a more formal appearance, the yukata is worn with an obi belt, along with a matching geta (wooden sandals) and purse to complete the attire.










Japanese girls and young Japanese women both here in Australia and in Japan enjoy the opportunity to dress in their Yukatas. Today there are not as many suitable chances to wear this colourful traditional Japanese outfit.


Wednesday, December 4, 2013

KENDAMA: A Japanese Wooden Toy

The kendama today are made from a stick with a point at one end, three attached cups, and a ball with a small hole in one end. The cups on either side of the stick are called the big cup and small cup. The ball is connected to the stick by a roughly 40-centimeter (16-inch) piece of string. At the end of the stick is a point with which the player can attempt to spear the ball. At the other end of the stick is a cup called the medium cup.

The game is basically played by tossing the ball and attempting to catch it in one of the cups or to spear it with the point of the stick. Although it may sound simple, there are a nearly unlimited number of specific techniques for doing so.

Many people may think that kendama was invented in Japan, but this is not actually the case. While many different theories exist, there are records indicating that kendama originated in France in the sixteenth century. There are also theories that this game was developed in Greece or China, and the absolute truth is not known.

In France, this game was called bilboquet. Bilmeans "ball," and boquet means "small tree." This word expresses the fact that the game involved playing with a small wooden ball. The game as it was played then was different from what we know as kendama today; there was alarge cup and a small cup on either end of a stick, to which a ball was attached with a string. The player would continually toss and catch the ball, alternating between the two cups.

Kendama is believed to have come to Japan via the Silk Road during the Edo period (1603-1868) into Nagasaki, the only Japanese city open to foreign trade at the time. While it may have entered the country around the middle of the Edo period in around 1777 or 1778, the exact date is uncertain. At the time, kendamawas apparently enjoyed by adults as a sort of drinking game. A player who made a mistake was forced to drink more.

As Japan entered the Meiji era (1868-1912), the Ministry of Education introduced kendamain the report on children's education that it put together in 1876, and the game gradually began to catch on among young people. In 1919, during the Taisho era (1912-1926), the forerunner of today's kendama went on sale. It was called Nichigetsu Ball (Sun-and-moon ball), because the ball looked like the sun, while the shape of the shallow carved cups was like a crescent moon. This toy became a huge hit, and from this time into the beginning of the Showa era (1926-1989), a variety of different types of kendama appeared, including a ball attached to a kind of paddle.

After World War II ended in 1945, kendama were sold in candy stores along with other popular toys, such as menko, bidama, and beigoma. In 1975 children's author Fujiwara Issei founded the Japan Kendama Association, which standardized kendama for competitive use and created standardized rules for the purpose of allowing a greater number of people to play the game together the same way.

With a set of rules and specifications for the equipment in place, kendamabegan to grow in popularity as a competitive sport. In addition to the Award of the Minister of Education, Culture, Sports, Science, and Technology, which is given to the winner of a kendama competition for elementary school students, there are tournaments for both students and adults held around the country, andkendama enthusiasts are working to increase the popularity of the game overseas.

The Japan Kendama Association is hopeful that kendama will become known around the world one day, and its members are making efforts to foster international exchange.

Monday, December 2, 2013

How to: Visit a Sento (Japanese Public Bath House)

At the end of a long day, a hot sento public bath can wash away your troubles, and that’s a pleasure worth sharing. Sento are a fading tradition but still dotted throughout Japanese suburbs, and even central Tokyo has a few ornate temple-like baths left. You’re likely to be the only non-Japanese at a sento, so to avoid standing naked and tongue-tied, find out what to bring, what to do there and which bath is electrified. Yes, electrified.

1. Pack your kit

You’re going to get naked. Completely. So the most essential item is a small towel to cover your privates. Everything else is optional. Most sento don’t provide soap and shampoo (although they sell them) so take these if you wish, along with a loofah, toothbrush and other toiletries. Don’t bring valuables, and expect some stares if you're heavily tattooed - many Japanese people still associate this with the yakuza, although it's highly unlikely you'll be mistaken for one.

2. Come to your sento

Sento range from small suburban baths to ‘super sento’ in the centre of Tokyo. When you enter, leave your shoes in a shoe locker. Pay the entrance fee (around ¥450) to either an old lady at a counter or at a vending machine for tokens.

3. Undress to impress

Men and women bathe separately, so look for the characters 男 for male and 女 for female to avoid embarrassment. Once through, you’ll find a change room with lockers for your clothes and belongings. After undressing, all you should be wearing is that small towel and a locker bracelet. Cross through the sliding doors with your toiletries to the tranquil baths.

4. Brush up on etiquette

The baths are a large, tiled space with deep rectangles of water and wafting steam. Speaking is kept to hushed, library levels. You’ll find open shower cubicles or basins lining the walls. Sit at a stool facing the wall and use the small bucket provided to wash yourself with warm water (soap optional). The baths are not for washing yourself in, so make sure you are sparkling clean before getting in. And find the toilets if you need to go! Hang up your towel and scrub yourself head to toe of any dirt, soap and shampoo.

5. The right bath

Enter a bath naked, or use your towel to tiptoe over if you are shy, but remember: the only thing that goes into a bath is your nude clean body. Choose your pool of water carefully. Maybe not the one with the lightning bolt symbol above it, unless a mild electric shock thrills you - the theory is that electricity contracts the muscles, thus relaxing you when you get out. Be careful also of the scalding bath - you’ll know it the moment you dip your pinkie in. Start instead with the hot bath, entering slowly to test the temperature. If there are other bathers, there’s no need to say a word or make eye contact, just enjoy. Relax, leave behind the world outside hurtling at bullet speed, and reflect upon the mural of ancient Mount Fuji.

6. Double dip

Once you have soaked enough in the hot bath, try the icy cold bath to snap you out of drowsiness. Some sento also have a mineral bath with rich, cola-black water.
Now step out and repeat the process, washing yourself again on a stool, then sinking into another bath - this is the centuries-old ritual of sento.

7. Lights out

To leave, go Japanese style - don’t wash off the minerals of your last dip, get changed into your pyjamas, try a milk from a vending machine, and stroll back to your bed, totally at ease with the world and ready for a deep sleep.